What are Abstract Paintings?

Through strokes of vibrant acrylic, Seonna Hong produces abstract floating dreamscapes dotted with small however meaningful figures. Hong is a storyteller, and her artwork, painted on fabric and quite often wooden pieces, can be versus a visual log of secrets which symbolic figures, be they peoples or animal, represent variations of by herself or key moments from her last. Eventually these characters have shrunk in dimensions set alongside the dream-like backgrounds which they occur, plus focus is placed on flights of color, habits, and textures. The different methods Hong uses in each work tend to be heavily influenced because of the abstract paintings of Helen Frankenthaller, Sonia Delaunay’s vivid utilization of colors and patterns, and Jackson Pollack’s drip and expressive practices.

the Los Angeles-based Hong, painting serves as a method to let it go, drop control, and trust the results of each and every stroke of paint. This doesn't come easy for the singer, who admits she is a control nut. “I’ll create some things off of the canvas then re-apply it towards fabric, ” Hong tells The Creators venture. “For example I’ll peel from the lime colorful paint chippings from my palette and make use of these to look like rocks or take wood-textured sticker cutouts of barren trees to greatly help infuse nature elements into each landscape.”

More Bridges, Less Wall Space

Hong embeds each character with symbolism. Feminine numbers are youthful self-portraits, of course there are many in business, they depict the musician and exactly how she’s reflected within a breeding ground. “in ways we don’t want to be discovered, ” says Hong. “Even though I’m hiding behind signs and abstract some ideas. A lot of the times I’m attempting to communicate an emotion.” The animal characters represent feelings of fear, hope, or anxiety. She codifies the pets in ways suggestive of “beasts of burden, ” sometimes imbuing all of them with a feeling of impending doom. “I often have a difficult time letting go of things— shame, worries over old conversations or slights, old hurts, old hopes— and have always been strained by them, ” says Hong. But they're part of me personally as well as the landscape of my knowledge, informing my choices or just providing as reminders of the things I've already discovered and to perhaps not duplicate blunders if I will it.” Hong shows her own vulnerabilities when you look at the figures’ communications, while the animals coexist to protect the human being numbers. “I’ve been investigating a lot about myself and also this evolved thought processes and primal behavior of how exactly we are in the world. For some reason the pets represent the id, ” she says.